Books:

Women and Music in Cross-Cultural Perspective

By Ellen Koskoff
Greenwood Press, 1987

Gender Politics and MTV: Voicing the Difference

By Lisa A. Lewis
Temple University Press, 1990

 The Intelligent Woman's Guide to Socialism, Capitalism, Sovietism and Fascism by George Bernard Shaw, 1928


Saint Joan of Arc 

by Vita Sackville-West, 1936

The Bluest Eye by Toni Morrison,1970

 Bridging the Gap between Black women and White Women
 by Midge Wilson and Kathy Russell, 1996 

Ain't I a Woman: Black Women and Feminism 

(Paperback format) -  published 1981

Women & Music: A History

PUBLISHER: Indiana University Press, 2001 (2nd edition)

I Know Why the Caged Bird Sings
by 
Published November 1993 by Bantam 

The Beauty Myth

by Published September 24th 2002 by Harper Perennial 



For within living structures defined by profit, by linear power, by institutional dehumanization, our feelings were not meant to survive. Kept around as unavoidable adjuncts or pleasant pastimes, our feelings were expected to kneel to thought as women were expected to kneel to men. But women have survived. As poets.” - Sister Outsider by Audre Lorde


“Racism didn't magically go away just because we refuse to talk about it. Rather, overt racial language is replaced by covert racial euphemisms that reference the same phenomena-talk of "niggers" and "ghettos" becomes replaced by phrases such as "urban," "welfare mothers," and "street crime." Everyone knows what these terms mean, and if they don't, they quickly figure it out.”

― Patricia Hill CollinsOn Intellectual Activism

“Thus, gender ideology no only creates ides about femininity but it also shapes conceptions of masculinity.”
― Patricia Hill CollinsBlack Sexual Politics: African Americans, Gender, and the New Racism


“If any female feels she need anything beyond herself to legitimate and validate her existence, she is already giving away her power to be self-defining, her agency.” - Feminism Is for Everybody by bell hooks

“Under the color-blind ideology of the new racism, Blackness must be SEEN as evidence for the alleged color blindness that seemingly characterizes contemporary economic opportunity.”

― Patricia Hill CollinsBlack Sexual Politics: African Americans, Gender, and the New Racism


“Challenging power structures from the inside, working the cracks within the system, however, requires learning to speak multiple languages of power convincingly.”
― Patricia Hill CollinsOn Intellectual Activism

All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.”
Bossypants by Tina Fey

"I will have my voice: Indian, Spanish, white. I will have my serpent's tongue — my woman's voice, my sexual voice, my poet's voice. I will overcome the tradition of silence.” - Borderlands/La Frontera by Gloria E. Anzaldua


“Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat women's bodies as aesthetic objects without function we deform them.” -The Female Eunuch by Germaine Greer#


web articles:


http://trinitrent.com/2013/08/female-sexuality-in-music-empowered-or-objectified/

Second wave feminism introduced new ways of thinking for thinkers who gave greater attention to the issues affecting the various subgroups of women in the feminist movement. One particular topic that rose to forefront of the debate was female sexuality Music is a product, women are used to sell that product and the primary target audience for media companies are men



female artists who assume that they have full control of their sexuality and are supposedly empowered are still being manipulated by men.
two types of feminism,  liberal and radical. In case you didn’t know, the former group supports the equal rights of men and women within the current social structures whereas the latter stresses the importance of the complete eradication of patriarchies to ending male supremacy.
Whether such are truly empowered and in control of their own sexualities in the patriarchal constructs of Western society is debatable but one thing is certain: As women continue to battle for their own identities in this visual era of music, there is still a grey area to be examined as we decide if they are still just puppets dancing for their male masters.


"Feminism is back on the rise, and it's all thanks to the internet"
Everyday sexism has "90,000 followers on Twitter"
"Feminist societies have popped up at university everywhere including Durham, Liverpool and Kings College London"
Our generation needs to reclaim feminism

http://www.independent.co.uk/voices/commentators/our-generation-needs-to-reclaim-feminism-2373962.html

There are a lot of women that have started out in the music industry with the strong belief that they would not "sell out". 
There have been many strong women who have proved that powerful women can in fact make it in the music industry without compromising their standards. There are also women that understand that to get the attention they deserve they can use a sexy video to gain viewers and then get their message across. 
women face in modern society can be applied to the music industry when considering that it seems to be that sexist music makes the industry large amounts of money. Therefore, male artists are making money off of the exploitation of women (Rogers) 
"In the rap world, women represent success, and they are treated almost as accessories: a means for rappers to prove that they have made it to the top...the purpose of this facade is to simply make money, but rappers do not realize the extent to which their music is affecting the younger generations. When children watch television and see someone throw money in the air, with lots of cars and women, that image is stored in their minds as the definition of success. They begin to nurture the idea that in order to achieve success, you have to have beautiful women by your side. With the number of images reaching today's youth we must put an end to this type of portrayal. 



Scholar Links:

Germaine Greer (1939– ), an Australian scholar and journalist whose best known work is the major 1970s feminist text The Female Eunuch (1970), originally advocated sexual liberation but, more recently, has lauded celibacy.


Margaret Atwood (1939– ), an iconic Canadian feminist novelist, expresses both the “goddess” and “activist” modes of the mid-twentieth century movement, via a confrontational style that gained converts by avoiding both violence and eccentricity.


Ayaan Hirsi Ali (1969– ), a Somali-born women’s rights activist, writer, and politician—who fled both pre-modern Somalia and post-modern Holland and now lives in the United States— has faced numerous death threats for repudiating Islam in favor of atheism, as described in best-selling Infidel (2007).

Gertrude Himmelfarb (1922– ), an American scholar drawn to examining the roots of social progress and decay, is best known for her sympathetic portrayals of Victorian society, dealing with similar social problems to those faced today

Melanie Phillips (1951– ), a British journalist and author, has targeted the growing climate of censorship and political and social irrationality in Western countries, for which she has received both livid denunciation as a “conservative” and the Orwell Prize for political journalism (1996).


Gloria Steinem (1934– ), an American feminist journalist and author, has written many bestsellers such as Revolution from Within (1993) but is best known for co-founding Ms. Magazine, which advocates many key progressive and feminist causes.




websites:




Women objectified in music videos. (2013). Retrieved January 02, 2017, from http://www.news24.com/MyNews24/Women-objectified-in-music-videos-20130802

Vigderman. (2015). My Anaconda Don't: A Black Feminist Analysis of Nicki Minaj. Retrieved January 02, 2017, from https://medium.com/black-feminism/my-anaconda-don-t-a-black-feminist-analysis-of-nicki-minaj-fc053629485f#.6gd12l5c7


http://www.lappthebrand.com/2017/10/15/hypersexualisation-black-women/


http://www.news24.com/MyNews24/Women-objectified-in-music-videos-20130802

http://www.thefader.com/2017/04/26/jae5-interview-j-hus-producer-did-you-see-common-sense

https://www.theodysseyonline.com/sexual-objectification-women-music-videos

https://www.researchgate.net/publication/233027814_Sexual_Objectification_in_Music_Videos_A_Content_Analysis_Comparing_Gender_and_Genre

https://medium.com/@moni_ach/objectification-of-women-in-hip-hop-music-videos-8c37489ceb7f

http://ellenwhightsa2mediastudies.blogspot.co.uk/2013/03/r-representations-within-music-video.html
https://en.wikipedia.org/wiki/Black_feminism#Second-Wave_Feminism

https://ginacalnan.pbworks.com/f/themalegaze.pdf

http://www.lappthebrand.com/2017/10/14/disempowering-parties-misogynistic-bottle-popping/

http://www.forharriet.com/2017/08/a-black-girls-beauty-is-not-determined.html#axzz4vpjicH1P

http://www.forharriet.com/2017/09/your-education-or-social-status-wont.html#axzz4vpjicH1P

http://www.forharriet.com/2017/07/black-men-dont-make-trans-women-pay-for.html#axzz4vpjicH1P

https://www.bgdblog.org/2017/01/the-difference-between-unity-and-solidarity/

https://www.bgdblog.org/2017/01/rejecting-intoxication-culture/

https://www.bgdblog.org/2017/04/boy-story-teaching-gender/

https://www.bgdblog.org/2017/03/claudia-jones/

https://www.bgdblog.org/2016/04/why-we-need-to-talk-about-stripping-as-labor/

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